Abishai100
VIP Member
- Sep 22, 2013
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Here is a model case about a serial killer magician from the 1800s which we can use to create 'crime fingerprinting' for the modern age.
This magician would perform traditional stage woman-saw cutting acts (creating illusions that women were being cut in half) but in fact would actually cut the women to death, while the audience thought they were seeing mere illusions.
The magician would recruit vagrant females and random prostitutes for these saw-cutting acts of real murder, in a gesture meant to convey the 'undesirable blindness' and 'artistic neglect' by the audience members.
A psychological profile would reveal that this serial killer magician was creating 'virtual worlds' or 'stages' of power and domination, so as to deliver messages about moral and intellectual apathy as well as to convey the more nihilistic notion that murdered individuals are often vagrants.
We can use this serial killer magician profile to design a relevant modern age traffic-stalker filing, similar to how real modern detectives use pattern and motivation analyses of the urban stalker Jack the Ripper (a mysterious serial killer who killed prostitutes in London and evaded detection by Scotland Yard police).
Our proposed 'serial killer magician' is a great template we can use to assess criminality psychology and determine new age 'prognoses' for modern traffic-related crime science (e.g., intentionality standards).
The purpose would be to obtain a greater understanding of how crime analysis from the past informs our crime science inquiries in the modern age and thereby (hopefully) ascertain the social value of public crime-science TV channels such as Investigation Discovery and determine if such funding for the arts has verifiable educational value.
InvestigationDiscovery (ID)
This magician would perform traditional stage woman-saw cutting acts (creating illusions that women were being cut in half) but in fact would actually cut the women to death, while the audience thought they were seeing mere illusions.
The magician would recruit vagrant females and random prostitutes for these saw-cutting acts of real murder, in a gesture meant to convey the 'undesirable blindness' and 'artistic neglect' by the audience members.
A psychological profile would reveal that this serial killer magician was creating 'virtual worlds' or 'stages' of power and domination, so as to deliver messages about moral and intellectual apathy as well as to convey the more nihilistic notion that murdered individuals are often vagrants.
We can use this serial killer magician profile to design a relevant modern age traffic-stalker filing, similar to how real modern detectives use pattern and motivation analyses of the urban stalker Jack the Ripper (a mysterious serial killer who killed prostitutes in London and evaded detection by Scotland Yard police).
Our proposed 'serial killer magician' is a great template we can use to assess criminality psychology and determine new age 'prognoses' for modern traffic-related crime science (e.g., intentionality standards).
The purpose would be to obtain a greater understanding of how crime analysis from the past informs our crime science inquiries in the modern age and thereby (hopefully) ascertain the social value of public crime-science TV channels such as Investigation Discovery and determine if such funding for the arts has verifiable educational value.
InvestigationDiscovery (ID)
