Now for a little culture.
Mohannad Orabi talks about Ayyam Gallerys latest exhibition featuring Syrian artists, moving from UAE to London
Ben East
August 6, 2014
When the Dubai-based *cousins Hisham and Khaled Samawi opened their first Ayyam Gallery in Damascus in 2006, they were merely dipping their toes into the nascent contemporary art scene in the city. They couldnt possibly have foreseen how important *Ayyam and Dubai would become to Syrian artists.
Early last year, Hisham told The National how the crisis in Syria had forced Ayyam to move not just its collection, but the artists themselves, to Dubai, Cairo and Beirut. The Damascus gallery became a studio compound a safety zone of sorts for artists in a war zone. It was a dreadful situation, but there has been a quite incredible silver lining.
Because the Syrian artists they could help were now able to work in peace, had available gallery space in which to exhibit and, most importantly of all, a story to tell through their art, the Samawis popularity rose dramatically. One of their artists, Tammam Azzam, relocated to Dubai and saw his pieceFreedom Graffiti in which he superimposed Klimts The Kiss onto a bombed-out *Damascus building go viral around the world last year.
Read more:
Mohannad Orabi talks about Ayyam Gallery's latest exhibition featuring Syrian artists moving from UAE to London | The National
Mohannad Orabi talks about Ayyam Gallerys latest exhibition featuring Syrian artists, moving from UAE to London
Ben East
August 6, 2014
When the Dubai-based *cousins Hisham and Khaled Samawi opened their first Ayyam Gallery in Damascus in 2006, they were merely dipping their toes into the nascent contemporary art scene in the city. They couldnt possibly have foreseen how important *Ayyam and Dubai would become to Syrian artists.
Early last year, Hisham told The National how the crisis in Syria had forced Ayyam to move not just its collection, but the artists themselves, to Dubai, Cairo and Beirut. The Damascus gallery became a studio compound a safety zone of sorts for artists in a war zone. It was a dreadful situation, but there has been a quite incredible silver lining.
Because the Syrian artists they could help were now able to work in peace, had available gallery space in which to exhibit and, most importantly of all, a story to tell through their art, the Samawis popularity rose dramatically. One of their artists, Tammam Azzam, relocated to Dubai and saw his pieceFreedom Graffiti in which he superimposed Klimts The Kiss onto a bombed-out *Damascus building go viral around the world last year.
Read more:
Mohannad Orabi talks about Ayyam Gallery's latest exhibition featuring Syrian artists moving from UAE to London | The National