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WOW!!! The big guy in the plaid shirt!...Fabulous!
Ahh....the 60's ....so glorious in so many ways eh?I spent 30 years of my life trying to learn to play like Hendrix, before I woke up one morning and realized I wasn't Black and it wasn't the 60's anymore. There are 14 year old kids in Texas who could do a better version of a Hendrix tune than I could ever do.
Ahh....the 60's ....so glorious in so many ways eh?
I almost forgot about this masterpice by the greatest guitarist of all time. Perfect for a goodbye to old Joe.
I spent 30 years of my life trying to learn to play like Hendrix
Hendrix was a freak of nature, a genius. He played left hand with a right hand guitar upside down meaning that the order of the strings was both revered on the plectrum and for the fingering of the frets!!! Add to that, he played the guitar behind his head without even missing a beat then played it with his teeth.
I've watched him do that for over 50 years and still can't figure it out.
True. He coaxed sounds out of those 12AX7 and 6550 tubes that they weren't even designed to make.
He was amazing!
12AX7 was an audio preamp tube and the 6550 was a push-pull audio power output tube.
Sounds like you might be a musician.
Nice. I tended to work more on home audio (music playback) gear more so than stage gear for musicians (though I do use some pro audio gear in the home--- QSC is a fave brand of mine) but one interesting thing I did was to create a modified tube version of a floor effects RAT box for electric guitar for a famous rock guitarist! The nice thing about the stage stuff, is that it was very simple circuitry with straightforward designs using a minimum of feedback!I've owned more than a few Marshall and Fender Amps, and used to repair old tube amps I picked up at garage sales and flea markets.
A friend and I devised many of our own circuits where we pushed the B+ up as high as 700 volts! I have a mono power amp in the next room we modified off of a Williamson type W-4 that actually used metal output tubes made for the military. They are comparable to an EL-34, but instead of a glass case, the B+ is developed on the outer metal case instead! Do not touch!B+ voltages are fun to work with as long as you don't let them grab you.
I think you might have told me about that once before!12 years I was an electronics bench tech for DeVry in Irving, TX.
The color CRT monitors were the worst! SNAP! All you had to do was get close. Worse, the capacitors held their voltage long after the set was turned off.Worst I ever got zapped was from a live heat sink on a horizontal output transistor like they used in the old CGA monitors. 100 volts at 15.75kHz will make your arm numb.
Nice. I tended to work more on home audio (music playback) gear more so than stage gear for musicians (though I do use some pro audio gear in the home--- QSC is a fave brand of mine) but one interesting thing I did was to create a modified tube version of a floor effects RAT box for electric guitar for a famous rock guitarist! The nice thing about the stage stuff, is that it was very simple circuitry with straightforward designs using a minimum of feedback!
A friend and I devised many of our own circuits where we pushed the B+ up as high as 700 volts! I have a mono power amp in the next room we modified off of a Williamson type W-4 that actually used metal output tubes made for the military. They are comparable to an EL-34, but instead of a glass case, the B+ is developed on the outer metal case instead! Do not touch!
I think you might have told me about that once before!
The color CRT monitors were the worst! SNAP! All you had to do was get close. Worse, the capacitors held their voltage long after the set was turned off.
I have a brother who lives in a Chicago suburb. He collects vintage music gear like Marshall and Fender amps, 1960's Gender and Gibson guitars, vintage effect pedals, old tape loop echo machines, and stuff. I think he has a couple McIntosh tube stereo audio amps too. He used to buy all that stuff before it was worth anything.