Donald Trump’s War Against Facts

Lakhota

Diamond Member
Jul 14, 2011
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By the time Donald Trump becomes president in a few, desperately shortening weeks, he will already have made falsehood a U.S. goal. Trump does not lie to cover up the truth; he lies to deny the possibility that such a thing even exists. His feints and reversals are the essence of his belief system; he espouses a philosophy of bullshit. Until now, those habitual falsehoods have been the idiosyncrasies of a private citizen with no real responsibility toward anyone but himself. Once he takes the oath, his style becomes policy. We will have to get used to a president who dismisses the intelligence apparatus he commands, who denies events that took place on live television, who does not care whether he is caught in an obvious contradiction. We will have to learn to read a leader who treats truth as one option among many. When he issues a howler from the Oval Office, and his minions faithfully repeat it, that won’t be propaganda, but showbiz.

The term propaganda comes from the Latin phrase denoting a 17-century committee of cardinals charged with spreading — propagating — the faith. The word has an overtone of menace: This is what to believe; accept it, or else. It also implies the existence of an overarching philosophy, a consistent way of accounting for (or willfully distorting) facts. The authoritarian rulers to whom Trump-haters reflexively compare him to, primarily Mussolini and Hitler, caged their people within a rigid version of the world. Those who expressed unsanctioned opinions chose to dash themselves against those ideological bars, usually with lethal consequences.

Trump, on the other hand, has stripped his public utterances of coherence, let alone ideology. His rhetoric is shot through with the language of coercion, but he always seems to be winking while he makes his flamboyant threats. (His more unhinged followers may act on them, however.) Instead of riling up crowds by preaching faith, or nationalist zeal, or dialectical materialism, he relies on his instincts as an entertainer. His highest value is not fanaticism, but sheer excitement and suspense. He fears only that we look away — and by getting elected president, he has ensured that we can’t.

In his collection of essays from the early 1950s, The Captive Mind, Czeslaw Milosz describes the mind games that citizens of the Soviet sphere played to insulate themselves against an all-consuming ideology. The friction between official policy and personal experience produced a population of actors, people who, even amongst themselves, recited lines they knew to be false and masked their thoughts, which were by definition dangerous. We Americans of 2016, instead of becoming actors and reading ideologically prescribed lines, have elected as president a performance artist who has no script at all. Trump’s mendacity is improvisational, insubstantial. He tosses out a daily spectacle of sparkling untruths that dazzle like fireworks and are replaced by others before they have a chance to flare out.

Trump’s lies can seem like ploys to divert us from some underlying, unspeakable truth. But in the spray of distractions, he seems to have forgotten what, if anything, he’s supposed to be hiding. Are his Twitter blasts a diversion from a plan to use the presidency as leverage in his business dealings? Is his overt corruption really a cover for a program of white supremacy? Or does it all mean nothing?

More: Donald Trump’s War Against Facts

Amen! We're in for a wild ride. Trump is scary enough - but his unhinged followers are even scarier!
 
From the OP:

Where does that leave us, the president’s captive audience? To challenge Trump on the facts is to play his game and lose, because it promotes nonsense to the level of reason. Newspapers and experts find themselves in the impossible position of having to take seriously the utterances of a deeply unserious leader. The Washington Post has produced a Google Chrome extension that displays instant fact-checking commentary along with each of Trump’s oracular tweets. The Times tries to divine the positions behind the rants. But there is no position, no ideology, no strategy. There is only Donald Trump, an invented character honed over years of public exposure. That persona has no use for offstage realities. Trump doesn’t oppose climate science because it contradicts his short-term interests, but because it isscience. He sows suspicion because he breathes it, and lards his rhetoric with expressions of extravagant doubt: “I don’t know and you don’t know,” “We have to find out,” “We have no idea.” His only answer to uncertainty is the assurance “Believe me” — the very advice he makes it impossible to take.
 
OMG.....

We are all going to die because Trump is President.

We've had 16 years of morons in the White House.

We can't survive another 4/8 ?
 
By the time Donald Trump becomes president in a few, desperately shortening weeks, he will already have made falsehood a U.S. goal. Trump does not lie to cover up the truth; he lies to deny the possibility that such a thing even exists. His feints and reversals are the essence of his belief system; he espouses a philosophy of bullshit. Until now, those habitual falsehoods have been the idiosyncrasies of a private citizen with no real responsibility toward anyone but himself. Once he takes the oath, his style becomes policy. We will have to get used to a president who dismisses the intelligence apparatus he commands, who denies events that took place on live television, who does not care whether he is caught in an obvious contradiction. We will have to learn to read a leader who treats truth as one option among many. When he issues a howler from the Oval Office, and his minions faithfully repeat it, that won’t be propaganda, but showbiz.

The term propaganda comes from the Latin phrase denoting a 17-century committee of cardinals charged with spreading — propagating — the faith. The word has an overtone of menace: This is what to believe; accept it, or else. It also implies the existence of an overarching philosophy, a consistent way of accounting for (or willfully distorting) facts. The authoritarian rulers to whom Trump-haters reflexively compare him to, primarily Mussolini and Hitler, caged their people within a rigid version of the world. Those who expressed unsanctioned opinions chose to dash themselves against those ideological bars, usually with lethal consequences.

Trump, on the other hand, has stripped his public utterances of coherence, let alone ideology. His rhetoric is shot through with the language of coercion, but he always seems to be winking while he makes his flamboyant threats. (His more unhinged followers may act on them, however.) Instead of riling up crowds by preaching faith, or nationalist zeal, or dialectical materialism, he relies on his instincts as an entertainer. His highest value is not fanaticism, but sheer excitement and suspense. He fears only that we look away — and by getting elected president, he has ensured that we can’t.

In his collection of essays from the early 1950s, The Captive Mind, Czeslaw Milosz describes the mind games that citizens of the Soviet sphere played to insulate themselves against an all-consuming ideology. The friction between official policy and personal experience produced a population of actors, people who, even amongst themselves, recited lines they knew to be false and masked their thoughts, which were by definition dangerous. We Americans of 2016, instead of becoming actors and reading ideologically prescribed lines, have elected as president a performance artist who has no script at all. Trump’s mendacity is improvisational, insubstantial. He tosses out a daily spectacle of sparkling untruths that dazzle like fireworks and are replaced by others before they have a chance to flare out.

Trump’s lies can seem like ploys to divert us from some underlying, unspeakable truth. But in the spray of distractions, he seems to have forgotten what, if anything, he’s supposed to be hiding. Are his Twitter blasts a diversion from a plan to use the presidency as leverage in his business dealings? Is his overt corruption really a cover for a program of white supremacy? Or does it all mean nothing?

More: Donald Trump’s War Against Facts

Amen! We're in for a wild ride. Trump is scary enough - but his unhinged followers are even scarier!

There is not 1 fact about Trump n that entire article.

It should be easy to give the actual quotes from Trump, and then tear his verfified lies apart.

There is not even 1 quote from Trump in that entire article. Seems he gives the author plenty of material, why not be specific?
 
Did I miss the Trump quotes in the article? It seemed like a bunch of nebulous generic bullshit.
 
upload_2016-12-28_20-46-12.jpeg


 
An
By the time Donald Trump becomes president in a few, desperately shortening weeks, he will already have made falsehood a U.S. goal. Trump does not lie to cover up the truth; he lies to deny the possibility that such a thing even exists. His feints and reversals are the essence of his belief system; he espouses a philosophy of bullshit. Until now, those habitual falsehoods have been the idiosyncrasies of a private citizen with no real responsibility toward anyone but himself. Once he takes the oath, his style becomes policy. We will have to get used to a president who dismisses the intelligence apparatus he commands, who denies events that took place on live television, who does not care whether he is caught in an obvious contradiction. We will have to learn to read a leader who treats truth as one option among many. When he issues a howler from the Oval Office, and his minions faithfully repeat it, that won’t be propaganda, but showbiz.

The term propaganda comes from the Latin phrase denoting a 17-century committee of cardinals charged with spreading — propagating — the faith. The word has an overtone of menace: This is what to believe; accept it, or else. It also implies the existence of an overarching philosophy, a consistent way of accounting for (or willfully distorting) facts. The authoritarian rulers to whom Trump-haters reflexively compare him to, primarily Mussolini and Hitler, caged their people within a rigid version of the world. Those who expressed unsanctioned opinions chose to dash themselves against those ideological bars, usually with lethal consequences.

Trump, on the other hand, has stripped his public utterances of coherence, let alone ideology. His rhetoric is shot through with the language of coercion, but he always seems to be winking while he makes his flamboyant threats. (His more unhinged followers may act on them, however.) Instead of riling up crowds by preaching faith, or nationalist zeal, or dialectical materialism, he relies on his instincts as an entertainer. His highest value is not fanaticism, but sheer excitement and suspense. He fears only that we look away — and by getting elected president, he has ensured that we can’t.

In his collection of essays from the early 1950s, The Captive Mind, Czeslaw Milosz describes the mind games that citizens of the Soviet sphere played to insulate themselves against an all-consuming ideology. The friction between official policy and personal experience produced a population of actors, people who, even amongst themselves, recited lines they knew to be false and masked their thoughts, which were by definition dangerous. We Americans of 2016, instead of becoming actors and reading ideologically prescribed lines, have elected as president a performance artist who has no script at all. Trump’s mendacity is improvisational, insubstantial. He tosses out a daily spectacle of sparkling untruths that dazzle like fireworks and are replaced by others before they have a chance to flare out.

Trump’s lies can seem like ploys to divert us from some underlying, unspeakable truth. But in the spray of distractions, he seems to have forgotten what, if anything, he’s supposed to be hiding. Are his Twitter blasts a diversion from a plan to use the presidency as leverage in his business dealings? Is his overt corruption really a cover for a program of white supremacy? Or does it all mean nothing?

More: Donald Trump’s War Against Facts

Amen! We're in for a wild ride. Trump is scary enough - but his unhinged followers are even scarier!

And Hellary is different how?

LIE #1: CLINTON PUBLICLY BLAMED A YOUTUBE VIDEO FOR THE BENGHAZI TERRORIST ATTACK, WHILE PRIVATELY ACKNOWLEDGING THAT IT “HAD NOTHING TO DO WITH THE FILM”

LIE #2: CLINTON HAS PUBLICLY TOUTED THE RUSSIAN “RESET” WHILE PRIVATELY ADMITTING IT WAS A FAILURE

LIE #3: CLINTON HAS TRIED TO REWRITE THE HISTORY OF HER POLICY TOWARDS SYRIA

LIE #4: CLINTON IS “UNCREDIBLE” WHEN IT COMES TO BASHAR AL-ASSAD

LIE #5: CLINTON FALSELY CLAIMED THAT EMAILS FROM SIDNEY BLUMENTHAL WERE “UNSOLICITED,” WHEN IN FACT, CLINTON TREATED HIM AS A SECRET, OFF-THE-BOOKS ADVISER

LIE #6: CLINTON TRIED TO DOWNPLAY AND MISLEAD ABOUT HER VOTE TO AUTHORIZE THE WAR IN IRAQ

LIE #7: CLINTON ADMITTED SHE VOTED AGAINST THE IRAQ SURGE PURELY FOR POLITICAL REASONS

LIE #8: CLINTON’S ATTITUDE TOWARDS OUTSOURCING DEPENDS ON WHO IS LISTENING

LIE #9: BEYOND JUST HER CONFLICTING RHETORIC, CLINTON CONTRIBUTED TO THE OUTSOURCING OF AMERICAN JOBS HERSELF

LIE #10: CLINTON HAS SHARPLY CRITICIZED SUPREME COURT CAMPAIGN FINANCE RULINGS BUT IS ACTIVELY USING THEM TO RAISE TENS OF MILLIONS OF DOLLARS

LIE #11: CLINTON’S SUPER PAC HYPOCRISY

LIE #12: CLINTON’S PAST RHETORIC ON PUBLIC CAMPAIGN FINANCING REFORM NEVER RECONCILED WITH HER RECORD IN THE SENATE

LIE #13: CLINTON HAS BEEN CALLED OUT FOR CREATING AN “ABSURD” CLAIM ABOUT HER OPPOSITION TO MIDDLE-CLASS TAXES

LIE #14: CLINTON HAS INTRODUCED A NEW PLAN FOR THE ESTATE TAX WHICH CLOSES “LOOPHOLES,” BUT DOESN’T ADDRESS THE ONE HER FAMILY IS EXPLOITING

LIE #15: CLINTON BROKE BILL’S PLEDGE ABOUT NOT USING A “BROAD-BASED” TAX HIKE TO PAY FOR “HILLARYCARE”

LIE #16: CLINTON WAS FOR FRACKING BEFORE SHE WAS AGAINST IT

LIE #17: CLINTON HAS IGNORED HER PAST SUPPORT OF OFFSHORE DRILLING IN THE ARCTIC TO BOLSTER HER ENVIRONMENTAL CREDENTIALS

LIE #18: AS A CANDIDATE, CLINTON SAYS OPPOSES NEW DRILLING OFF AMERICA’S SHORES, BUT AS SECRETARY OF STATE HER ACTIONS SUPPORTED NEW DRILLING

LIE #19: CLINTON TAKES DIFFERENT POSITIONS ON QUESTIONING JUDICIAL NOMINEES

LIE #20: THE FBI EXPOSED CLINTON’S LIES ON THE MATTER OF NUMBER OF DEVICES SHE USED

LIE #21: THE FBI EXPOSED CLINTON’S LIES ON TURNING OVER ALL OF HER WORK RELATED EMAIL

LIE #22: THE FBI EXPOSED CLINTON’S LIES ON TRANSMITTING CLASSIFIED INFORMATION AT THE TIME OF SENDING OR RECEIVING

LIE #23: THE FBI EXPOSED CLINTON’S LIES ON THE MATTER OF WHETHER THERE WAS MARKED CLASSIFIED MATERIAL ON HER SERVER

LIE #24: THE FBI EXPOSED CLINTON’S LIES ON THE MATTER OF HER SECRET SERVER BEING VULNERABLE TO HACKERS

LIE #25: THE FBI EXPOSED CLINTON’S LIES ON THE MATTER OF SHE AND HER AIDES DELETING AND WIPING DEVICES

LIE #26: THE FBI EXPOSED CLINTON’S LIES ON WHETHER OR NOT SHE HAD THE AUTHORITY TO SET UP HER OWN SERVER

LIE #27: THE FBI EXPOSED CLINTON’S LIES ON THE ISSUE OF WHETHER SHE EMAILED PEOPLE WITHOUT A PROPER SECURITY CLEARANCE

LIE #28: LAST YEAR, CLINTON “DUSTED OFF” A CLAIM THAT SHE TRIED TO JOIN THE MARINES IN 1975, BUT WAS REJECTED

LIE #29: NOT EVEN A WEEK INTO HER CAMPAIGN KICKOFF, CLINTON WAS CAUGHT TELLING A FALSEHOOD ABOUT HER FAMILY HISTORY IN IOWA

LIE #30: PANDERING TO VOTERS IN NEW HAMPSHIRE, CLINTON CLAIMED THE FIRST TIME SHE EVER CAMPAIGNED FOR ANYONE WAS IN THAT STATE IN 1991

LIE #31: ON THE 2008 CAMPAIGN TRAIL, CLINTON CLAIMED SHE CAME UNDER SNIPER FIRE IN BOSNIA

LIE #32: ON THE 2008 CAMPAIGN TRAIL, CLINTON EMBELLISHED HER ROLE DURING NORTHERN IRELAND’S PEACE NEGOTIATIONS

LIE #33: ON THE 2008 CAMPAIGN TRAIL, CLINTON TOOK LIBERTIES WHEN DESCRIBING A TRIP TO MACEDONIA SHE MADE AS FIRST LADY

LIE #34: ON THE 2008 CAMPAIGN TRAIL, CLINTON OVERSTATED HER TRAVEL SCHEDULE AS FIRST LADY, IMPLYING SHE TRAVELED TO DANGEROUS AREAS

LIE #35: CLINTON HAS EVEN EMBELLISHED HER STORY OF THE BIN LADEN RAID

LIE #36: AS FIRST LADY, CLINTON CLAIMED SHE WAS NAMED AFTER EDMUND HILLARY, THE FIRST PERSON TO CLIMB MOUNT EVEREST
 
By the time Donald Trump becomes president in a few, desperately shortening weeks, he will already have made falsehood a U.S. goal. Trump does not lie to cover up the truth; he lies to deny the possibility that such a thing even exists. His feints and reversals are the essence of his belief system; he espouses a philosophy of bullshit. Until now, those habitual falsehoods have been the idiosyncrasies of a private citizen with no real responsibility toward anyone but himself. Once he takes the oath, his style becomes policy. We will have to get used to a president who dismisses the intelligence apparatus he commands, who denies events that took place on live television, who does not care whether he is caught in an obvious contradiction. We will have to learn to read a leader who treats truth as one option among many. When he issues a howler from the Oval Office, and his minions faithfully repeat it, that won’t be propaganda, but showbiz.

The term propaganda comes from the Latin phrase denoting a 17-century committee of cardinals charged with spreading — propagating — the faith. The word has an overtone of menace: This is what to believe; accept it, or else. It also implies the existence of an overarching philosophy, a consistent way of accounting for (or willfully distorting) facts. The authoritarian rulers to whom Trump-haters reflexively compare him to, primarily Mussolini and Hitler, caged their people within a rigid version of the world. Those who expressed unsanctioned opinions chose to dash themselves against those ideological bars, usually with lethal consequences.

Trump, on the other hand, has stripped his public utterances of coherence, let alone ideology. His rhetoric is shot through with the language of coercion, but he always seems to be winking while he makes his flamboyant threats. (His more unhinged followers may act on them, however.) Instead of riling up crowds by preaching faith, or nationalist zeal, or dialectical materialism, he relies on his instincts as an entertainer. His highest value is not fanaticism, but sheer excitement and suspense. He fears only that we look away — and by getting elected president, he has ensured that we can’t.

In his collection of essays from the early 1950s, The Captive Mind, Czeslaw Milosz describes the mind games that citizens of the Soviet sphere played to insulate themselves against an all-consuming ideology. The friction between official policy and personal experience produced a population of actors, people who, even amongst themselves, recited lines they knew to be false and masked their thoughts, which were by definition dangerous. We Americans of 2016, instead of becoming actors and reading ideologically prescribed lines, have elected as president a performance artist who has no script at all. Trump’s mendacity is improvisational, insubstantial. He tosses out a daily spectacle of sparkling untruths that dazzle like fireworks and are replaced by others before they have a chance to flare out.

Trump’s lies can seem like ploys to divert us from some underlying, unspeakable truth. But in the spray of distractions, he seems to have forgotten what, if anything, he’s supposed to be hiding. Are his Twitter blasts a diversion from a plan to use the presidency as leverage in his business dealings? Is his overt corruption really a cover for a program of white supremacy? Or does it all mean nothing?

More: Donald Trump’s War Against Facts

Amen! We're in for a wild ride. Trump is scary enough - but his unhinged followers are even scarier!
Omg...all your threads are articles,
mostly from Huff Post, with the link at the end,
followed with an amen!, most of the time and some gibberish!
 
LMAO Another lets all hate Trump because he won thread posted by Shittingbull who will never get over the fact that her hero, Hillary lost.

A Hillary who lost all on her own. A Hillary who was beaten by a better candidate. A candidate who got his message out to the people Hillary assumed would vote for her. Wrong.

Oh and lets all praise HuffPo for their "honest" reporting. LOL
 
....The term propaganda comes from the Latin phrase denoting a 17-century committee of cardinals charged with spreading — propagating — the faith. The word has an overtone of menace: This is what to believe; accept it, or else. It also implies the existence of an overarching philosophy, a consistent way of accounting for (or willfully distorting) facts....

Interesting, sort of like "the Russians did it, just take our word for it"

:alcoholic:
 
By the time Donald Trump becomes president in a few, desperately shortening weeks, he will already have made falsehood a U.S. goal. Trump does not lie to cover up the truth; he lies to deny the possibility that such a thing even exists. His feints and reversals are the essence of his belief system; he espouses a philosophy of bullshit. Until now, those habitual falsehoods have been the idiosyncrasies of a private citizen with no real responsibility toward anyone but himself. Once he takes the oath, his style becomes policy. We will have to get used to a president who dismisses the intelligence apparatus he commands, who denies events that took place on live television, who does not care whether he is caught in an obvious contradiction. We will have to learn to read a leader who treats truth as one option among many. When he issues a howler from the Oval Office, and his minions faithfully repeat it, that won’t be propaganda, but showbiz.

The term propaganda comes from the Latin phrase denoting a 17-century committee of cardinals charged with spreading — propagating — the faith. The word has an overtone of menace: This is what to believe; accept it, or else. It also implies the existence of an overarching philosophy, a consistent way of accounting for (or willfully distorting) facts. The authoritarian rulers to whom Trump-haters reflexively compare him to, primarily Mussolini and Hitler, caged their people within a rigid version of the world. Those who expressed unsanctioned opinions chose to dash themselves against those ideological bars, usually with lethal consequences.

Trump, on the other hand, has stripped his public utterances of coherence, let alone ideology. His rhetoric is shot through with the language of coercion, but he always seems to be winking while he makes his flamboyant threats. (His more unhinged followers may act on them, however.) Instead of riling up crowds by preaching faith, or nationalist zeal, or dialectical materialism, he relies on his instincts as an entertainer. His highest value is not fanaticism, but sheer excitement and suspense. He fears only that we look away — and by getting elected president, he has ensured that we can’t.

In his collection of essays from the early 1950s, The Captive Mind, Czeslaw Milosz describes the mind games that citizens of the Soviet sphere played to insulate themselves against an all-consuming ideology. The friction between official policy and personal experience produced a population of actors, people who, even amongst themselves, recited lines they knew to be false and masked their thoughts, which were by definition dangerous. We Americans of 2016, instead of becoming actors and reading ideologically prescribed lines, have elected as president a performance artist who has no script at all. Trump’s mendacity is improvisational, insubstantial. He tosses out a daily spectacle of sparkling untruths that dazzle like fireworks and are replaced by others before they have a chance to flare out.

Trump’s lies can seem like ploys to divert us from some underlying, unspeakable truth. But in the spray of distractions, he seems to have forgotten what, if anything, he’s supposed to be hiding. Are his Twitter blasts a diversion from a plan to use the presidency as leverage in his business dealings? Is his overt corruption really a cover for a program of white supremacy? Or does it all mean nothing?

More: Donald Trump’s War Against Facts

Amen! We're in for a wild ride. Trump is scary enough - but his unhinged followers are even scarier!
NY mag is.....

image.jpeg
 
By the time Donald Trump becomes president in a few, desperately shortening weeks, he will already have made falsehood a U.S. goal. Trump does not lie to cover up the truth; he lies to deny the possibility that such a thing even exists. His feints and reversals are the essence of his belief system; he espouses a philosophy of bullshit. Until now, those habitual falsehoods have been the idiosyncrasies of a private citizen with no real responsibility toward anyone but himself. Once he takes the oath, his style becomes policy. We will have to get used to a president who dismisses the intelligence apparatus he commands, who denies events that took place on live television, who does not care whether he is caught in an obvious contradiction. We will have to learn to read a leader who treats truth as one option among many. When he issues a howler from the Oval Office, and his minions faithfully repeat it, that won’t be propaganda, but showbiz.

The term propaganda comes from the Latin phrase denoting a 17-century committee of cardinals charged with spreading — propagating — the faith. The word has an overtone of menace: This is what to believe; accept it, or else. It also implies the existence of an overarching philosophy, a consistent way of accounting for (or willfully distorting) facts. The authoritarian rulers to whom Trump-haters reflexively compare him to, primarily Mussolini and Hitler, caged their people within a rigid version of the world. Those who expressed unsanctioned opinions chose to dash themselves against those ideological bars, usually with lethal consequences.

Trump, on the other hand, has stripped his public utterances of coherence, let alone ideology. His rhetoric is shot through with the language of coercion, but he always seems to be winking while he makes his flamboyant threats. (His more unhinged followers may act on them, however.) Instead of riling up crowds by preaching faith, or nationalist zeal, or dialectical materialism, he relies on his instincts as an entertainer. His highest value is not fanaticism, but sheer excitement and suspense. He fears only that we look away — and by getting elected president, he has ensured that we can’t.

In his collection of essays from the early 1950s, The Captive Mind, Czeslaw Milosz describes the mind games that citizens of the Soviet sphere played to insulate themselves against an all-consuming ideology. The friction between official policy and personal experience produced a population of actors, people who, even amongst themselves, recited lines they knew to be false and masked their thoughts, which were by definition dangerous. We Americans of 2016, instead of becoming actors and reading ideologically prescribed lines, have elected as president a performance artist who has no script at all. Trump’s mendacity is improvisational, insubstantial. He tosses out a daily spectacle of sparkling untruths that dazzle like fireworks and are replaced by others before they have a chance to flare out.

Trump’s lies can seem like ploys to divert us from some underlying, unspeakable truth. But in the spray of distractions, he seems to have forgotten what, if anything, he’s supposed to be hiding. Are his Twitter blasts a diversion from a plan to use the presidency as leverage in his business dealings? Is his overt corruption really a cover for a program of white supremacy? Or does it all mean nothing?

More: Donald Trump’s War Against Facts

Amen! We're in for a wild ride. Trump is scary enough - but his unhinged followers are even scarier!
Omg...all your threads are articles,
mostly from Huff Post, with the link at the end,
followed with an amen!, most of the time and some gibberish!
He's a LWNJ and incapable of critical thought.....
 

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