Leo/Ajay: Cupid & Goblin [Urban Churches - Reforms]

Abishai100

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Sep 22, 2013
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Does TrumpUSA remind you of the film Newsies?




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Ajay was an Algerian-American Internet-blogging self-proclaimed 'vigilante' and 'democracy-crusader' who posted about values-oriented issues such as pornography and censorship in the modern age of media and traffic. Leo was a Hollywood (USA) movie superstar making iconic and intriguing films about psychology, divinity, and American aesthetics. Leo read some of Ajay's blogs on the Internet and noted his strange vigilantism-oriented 'costumes' and wanted to meet him and talk about his upcoming vigilantism-themed eco-consciousness Captain Planet film. Ajay agreed to meet with Leo, since he was currently working on a series of blogs about the environmental impact of urban church waste management policies and how it affected urbanites' views on human pollution. Leo and Ajay met at a hotel cafe in San Francisco where they talked about the role of urban churches in modern local governance optimism. Leo suggested to Ajay that he don some comic book avatar/identity to complement his democracy rhetorics work. Ajay suggested Leo do the same to complement his Captain Planet film.

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Ajay decided to don the identity of a comic book missionary named Cupid (reference to the mythological god who entranced people with love-arrows designed to create contract/customs and sentiment/passion intrigue and drama). Leo decided to don the identity of a comic book super-villain named Gray Goblin (real name: Gabriel Stacy --- a jet-glider soaring urban terrorist and 'son-of-perdition'). As Cupid and Goblin, Ajay and Leo were able to think more 'passionately' about the social value of progressive politics in modern networks and in media. Cupid/Ajay and Goblin/Leo both cared about how maintenance of churches in modern U.S. cities like NY and LA and Chicago represented an American investment in infrastructure-oriented democracy. After all, didn't TrumpUSA (a consumer-oriented 'camp') promote radical thinking?

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While Cupid and Goblin worked together on the upcoming Captain Planet film and its relevance to urban governance issues and matters role in TrumpUSA 'aesthetics,' film-makers and social critics were pondering how consumerism in the 21st Century was reinventing urban ethos altogether. Orwellian folklore was replaced by a new form of 'doomsday paranoia' storytelling speaking to new age fears about terrorism and a disintegration of etiquette/contracts. This proverbial 'dark city' is precisely what Cupid (Ajay) and Goblin (Leo) wanted to combat with carefully-placed media statements/messages and symbolic film/art works. Goblin wanted Cupid to serve as a diplomat of urban etiquette controversies, and Cupid wanted Goblin to talk to the press about democracy fears related to terrorism dialogue in modern media (e.g., Al Jazeera).

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CUPID: Maybe TrumpUSA is a tower of hype!
GOBLIN: Well, there's ample space for reform rhetoric.
CUPID: I called myself Cupid since love governs customs today.
GOBLIN: I called myself Goblin since superstition can affect idealism.
CUPID: Maybe urban church management will be considered a high priority!
GOBLIN: TrumpUSA politicians will have to care about social reforms.
CUPID: It seems the word 'pollution' can refer to all kinds of modern maladies.
GOBLIN: Yes, with great traffic comes great tedium...
CUPID: Can love conquer filth?
GOBLIN: Remember how the Gulf War reminded us of the value of oil?
CUPID: Maybe a World War III will awaken us to the 'reality' of terrorism!
GOBLIN: It was Helen of Troy who catalyzed the great Trojan War.
CUPID: It was Marilyn Monroe who reminded us of the intrigue of celebrity/media.
GOBLIN: If love spotlights consciousness, can democracy catalyze diligence?
CUPID: The dangers of consumerism is that it promoted indulgence/sloth.
GOBLIN: That's why we should use media to talk about urban pollution!
CUPID: This upcoming Captain Planet film should address interests in journalism.
GOBLIN: Consider how many homeless people worry about pollution...
CUPID: Maybe President Trump thinks seriously about 'urban decay.'
GOBLIN: I think the Captain Planet film should feature a story about water-guns.
CUPID: Yes; water-guns remind us of consumerism and values in modern playspaces.
GOBLIN: Here's to Christian multimedia!


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:4_13_65:
 
Serpentor: Street-Doll


You have to wonder if archaeologists in the future will look back on our era (TrumpUSA, Reaganomics/80s, etc.) and wonder about the social value of terrorism-themed comics, toys, and folklore and why it spoke to our special focus on globalization-politics intrigue.

The fictional fascist-terrorist genetically-enhanced super-emperor Serpentor, from Hasbro's G.I. Joe: A Real American Hero, represents all the filth and fury of our time period regarding globalization-turbulence oriented terrorism-paranoia. Serpentor comics and toys/models obviously symbolize our era's special interest in politics-wisdom dialogue.

How will capitalism from 1980-2020 be evaluated in terms of governance-ideology (and daily hygiene)?


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LEO: I just purchased a Serpentor model-toy on eBay for Christmas!
AJAY: Cool...Serpentor was one mean terrorist.
LEO: Are you a fan of G.I. Joe: A Real American Hero (Hasbro/Marvel)?
AJAY: I actually prefer M.A.S.K., but I like G.I. Joe characters/toys/comics.
LEO: You gotta wonder if a future archaeologist will find a Serpentor toy and wonder...
AJAY: ...Yeah, he'll ask himself/herself, "Did 20th Century Americans dread governance chaos?"
LEO: Well, media/entertainment has become more graphic since the 1940s, since Hitchcock.
AJAY: Yes, as urbanization/commerce developed, people wanted more 'bravado toys.'
LEO: That's understandable; when salesmanship is valuable, toys become more 'wild.'
AJAY: I wonder how archaeologists will compare Jesus figurines to Serpentor toys!
LEO: Everything depends on 'urban hygiene.'
AJAY: Maybe Spider-Man is the new Tintin...


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