Abishai100
VIP Member
- Sep 22, 2013
- 4,957
- 250
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This is a TrumpUSA parody inspired by Mars Attacks!
Signing off,
====
America was fighting with North Korea in a nuclear war in 2020, and President Trump had recruited a team of secret operatives, democracy-defenders, known as 'G.I. Joes' to contend with a newly-formed super-alliance of terrorists known as 'Cobra.' As the Joes tackled the Cobras and Trump tried to reach out to South Korea for peace-stabilizing commerce-pacts, the world was witnessing a tribulation unlike any it had ever seen (or imagined!). Hollywood (USA) film-maker and director George Clooney remarked, "If this is truly the End of Days, I want to know who exactly the AntiChrist and the mysterious of Harlot of Babylon are!"
Aliens from a faraway planet observed all these developments and noted that humanity was wrestling with 'leviathan' (a metaphysical allusion to a 'sea-beast of chaos'). These aliens decided it might be fruitful to colonize the moon and witness this nuclear war from up-close. The aliens were known as Xenomorphs and they were designing cyborg-versions of themselves to serve as 'contact-diplomats' (should they decide to engage with humanity someday face-to-face!). The Xenomorphs wanted George Clooney to make a film about them, so it was quite exciting (but obviously also incredibly dangerous). What would be the impact of Trumponomics on this new science?
A Japanese artist named Akino was making paper-drawing renditions of the alien-creatures depicted in the popular Alien sci-fi horror-film franchise. Akino noted that the alien-creatures from the Alien films were quite 'realistic' (in terms of survivalism structuralism and predatory 'features') and wondered if there truly could be some real species (aliens!) out there somewhere in the universe who resembled the alien-creatures from the Alien films(!). Akino had no idea that the alien-creatures from the Alien films (also called 'Xenomorphs') resembled exactly the morphology and presence (and name!) of the real aliens (the Xenomorphs!) preparing to colonize Earth's moon(!).
Americans had other worries besides the aliens about to visit and the nuclear war with North Korea. A deadly troop of psychotic serial-killers calling itself the Killer-Clowns (KC) was on a rampant crime-spree across North America. KC had killed numerous policemen in Canada, USA, and Mexico and were threatening to kidnap First Lady Melania Trump and hold her for ransom. The KC was being pursued actively by the FBI and a hot-shot rookie FBI detective named Pervis Jones (PJ). PJ believed KC had some other terrorism-oriented 'intent' beyond the random killings they were performing and wondered why the troop wanted to kidnap the First Lady (as St. Patrick's Day was fast-approaching!). PJ hypothesized that KC was secretly allied to North Korea.
Americans still cared about science (and science-fiction) and were not about to allow alien invaders, a nuclear war, or psycho-clowns to drown out their enthusiasm for intellectual inquiry and the arts(!). A group of scientists and science-fiction writers decided to start lobbying to D.C. to create a special American-culture 'think-tank' at the prestigious Salk Institute (in southern California). This think-tank would be committed to creative hypotheses regarding the carrying-capacity and destiny of mankind on Earth, and the Trump Administration endorsed the group's endeavors. This group was the 'last stand' against anarchy-catalysed sociocultural hysteria. Would the Salk think-tank outlast this terrible tribulation? PJ of the FBI decided to create a special security-perimeter at Salk(!).
The aliens watching all of this from the moon were intrigued by all the passion of humanity and wondered if they should send the Xeno-cyborgs to meet with U.S. President Donald Trump. These Xenos noted that Americans were fascinated by free-speech, intellectual freedom, and the circulation of pornography on the Internet. The Xenos realized that mankind was simultaneously fascinated by political mobilization, cultural aesthetics, and graphic storytelling. The Xenos wondered if they should send an Internet-scrambling 'super-virus' to create just enough 'cultural intrigue' to freeze mankind's obsession with warfare (if only temporarily). The Xenos also started cataloguing all pornographic images found on the Internet on Earth.
As the Japanese artist Akino began working with a comic-book writer to release a series of Xenomorph-apocalypse comics (which would hopefully be adapted into interesting movies), the actual aliens (the Xenos watching all these activities from Earth's moon!) decided they were being turned into 'celebrities' by Akino's work(!). The moon-Xenos decided to send a 'delegation' of their Xeno-cyborgs the following year (if the nuclear war did not end by then or if First Lady Melania Trump was kidnapped/killed by the KC). Akino's work with the alien-comics were a big hit and they brought much relief to humanity temporarily frozen in suspenseful-anxiety by the nuclear war between North Korea and America. No missiles were fired on mainland territories, but there were land-battles between the two-sides (in anticipation of a potential nuclear-missile strike) on the islands of Japan(!). Akino continued to wonder if the aliens he was presenting in the comics could potentially resemble a real alien-species (perhaps observing humanity!).
America was a land of great cultural drama and political creativity. Pedestrians, entertainers, media-figures, poets, philosophers, crime-fighters, anarchists, and cult-leaders comprised an American society defined by terrific and sometimes jarring intellectual intrigue. This sort of drama was indeed captured in films such as Kalifornia, The Dark Knight, Alien vs. Predator, American Graffiti, The Virgin Suicides, Maniac Cop, The Ice Storm, and Celebrity. Of course America would be at the frontlines of an emerging nuclear devastation threat, and of course, aliens would be watching Americans from the moon(!). Akino, PJ, President Trump, and George Clooney were but a handful of symbolic 'diplomats' of this modern age of traffic-driven 'creative madness.' The only question was, "Is capitalism worth all this superstitious trouble?"
Akino's comics were a huge hit, and they were being adapted into a series of films by Steven Spielberg for DreamWorks. They were anticipated to be huge money-makers, and the real moon-Xenos were thrilled about this cinematic development and prepared to send their Xeno-cyborg delegation as President Trump effectively brought an end to the nuclear 'cold-war' against North Korea by St. Patrick's Day of the following year. President Trump was going to be the human diplomat of this symbolic meeting with the Xeno-cyborgs (though he didn't realize it yet!). President Trump wondered how American artists/writers would digest all this new age 'drama' into a symbolic 'evangelical tapestry.' The show would go on...
====
Signing off,
====
America was fighting with North Korea in a nuclear war in 2020, and President Trump had recruited a team of secret operatives, democracy-defenders, known as 'G.I. Joes' to contend with a newly-formed super-alliance of terrorists known as 'Cobra.' As the Joes tackled the Cobras and Trump tried to reach out to South Korea for peace-stabilizing commerce-pacts, the world was witnessing a tribulation unlike any it had ever seen (or imagined!). Hollywood (USA) film-maker and director George Clooney remarked, "If this is truly the End of Days, I want to know who exactly the AntiChrist and the mysterious of Harlot of Babylon are!"
Aliens from a faraway planet observed all these developments and noted that humanity was wrestling with 'leviathan' (a metaphysical allusion to a 'sea-beast of chaos'). These aliens decided it might be fruitful to colonize the moon and witness this nuclear war from up-close. The aliens were known as Xenomorphs and they were designing cyborg-versions of themselves to serve as 'contact-diplomats' (should they decide to engage with humanity someday face-to-face!). The Xenomorphs wanted George Clooney to make a film about them, so it was quite exciting (but obviously also incredibly dangerous). What would be the impact of Trumponomics on this new science?
A Japanese artist named Akino was making paper-drawing renditions of the alien-creatures depicted in the popular Alien sci-fi horror-film franchise. Akino noted that the alien-creatures from the Alien films were quite 'realistic' (in terms of survivalism structuralism and predatory 'features') and wondered if there truly could be some real species (aliens!) out there somewhere in the universe who resembled the alien-creatures from the Alien films(!). Akino had no idea that the alien-creatures from the Alien films (also called 'Xenomorphs') resembled exactly the morphology and presence (and name!) of the real aliens (the Xenomorphs!) preparing to colonize Earth's moon(!).
Americans had other worries besides the aliens about to visit and the nuclear war with North Korea. A deadly troop of psychotic serial-killers calling itself the Killer-Clowns (KC) was on a rampant crime-spree across North America. KC had killed numerous policemen in Canada, USA, and Mexico and were threatening to kidnap First Lady Melania Trump and hold her for ransom. The KC was being pursued actively by the FBI and a hot-shot rookie FBI detective named Pervis Jones (PJ). PJ believed KC had some other terrorism-oriented 'intent' beyond the random killings they were performing and wondered why the troop wanted to kidnap the First Lady (as St. Patrick's Day was fast-approaching!). PJ hypothesized that KC was secretly allied to North Korea.
Americans still cared about science (and science-fiction) and were not about to allow alien invaders, a nuclear war, or psycho-clowns to drown out their enthusiasm for intellectual inquiry and the arts(!). A group of scientists and science-fiction writers decided to start lobbying to D.C. to create a special American-culture 'think-tank' at the prestigious Salk Institute (in southern California). This think-tank would be committed to creative hypotheses regarding the carrying-capacity and destiny of mankind on Earth, and the Trump Administration endorsed the group's endeavors. This group was the 'last stand' against anarchy-catalysed sociocultural hysteria. Would the Salk think-tank outlast this terrible tribulation? PJ of the FBI decided to create a special security-perimeter at Salk(!).
The aliens watching all of this from the moon were intrigued by all the passion of humanity and wondered if they should send the Xeno-cyborgs to meet with U.S. President Donald Trump. These Xenos noted that Americans were fascinated by free-speech, intellectual freedom, and the circulation of pornography on the Internet. The Xenos realized that mankind was simultaneously fascinated by political mobilization, cultural aesthetics, and graphic storytelling. The Xenos wondered if they should send an Internet-scrambling 'super-virus' to create just enough 'cultural intrigue' to freeze mankind's obsession with warfare (if only temporarily). The Xenos also started cataloguing all pornographic images found on the Internet on Earth.
As the Japanese artist Akino began working with a comic-book writer to release a series of Xenomorph-apocalypse comics (which would hopefully be adapted into interesting movies), the actual aliens (the Xenos watching all these activities from Earth's moon!) decided they were being turned into 'celebrities' by Akino's work(!). The moon-Xenos decided to send a 'delegation' of their Xeno-cyborgs the following year (if the nuclear war did not end by then or if First Lady Melania Trump was kidnapped/killed by the KC). Akino's work with the alien-comics were a big hit and they brought much relief to humanity temporarily frozen in suspenseful-anxiety by the nuclear war between North Korea and America. No missiles were fired on mainland territories, but there were land-battles between the two-sides (in anticipation of a potential nuclear-missile strike) on the islands of Japan(!). Akino continued to wonder if the aliens he was presenting in the comics could potentially resemble a real alien-species (perhaps observing humanity!).
America was a land of great cultural drama and political creativity. Pedestrians, entertainers, media-figures, poets, philosophers, crime-fighters, anarchists, and cult-leaders comprised an American society defined by terrific and sometimes jarring intellectual intrigue. This sort of drama was indeed captured in films such as Kalifornia, The Dark Knight, Alien vs. Predator, American Graffiti, The Virgin Suicides, Maniac Cop, The Ice Storm, and Celebrity. Of course America would be at the frontlines of an emerging nuclear devastation threat, and of course, aliens would be watching Americans from the moon(!). Akino, PJ, President Trump, and George Clooney were but a handful of symbolic 'diplomats' of this modern age of traffic-driven 'creative madness.' The only question was, "Is capitalism worth all this superstitious trouble?"
Akino's comics were a huge hit, and they were being adapted into a series of films by Steven Spielberg for DreamWorks. They were anticipated to be huge money-makers, and the real moon-Xenos were thrilled about this cinematic development and prepared to send their Xeno-cyborg delegation as President Trump effectively brought an end to the nuclear 'cold-war' against North Korea by St. Patrick's Day of the following year. President Trump was going to be the human diplomat of this symbolic meeting with the Xeno-cyborgs (though he didn't realize it yet!). President Trump wondered how American artists/writers would digest all this new age 'drama' into a symbolic 'evangelical tapestry.' The show would go on...
====
