Abishai100
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- Sep 22, 2013
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This is a pop-culture evolution dialogue between Baldwin IV of Jerusalem (a pensive and calculating figurehead from older times depicted in the recent historical-drama film Kingdon of Heaven) and Brandon Darrow (fictional modernism 'wild-child celebrity' depicted in Woody Allen's civilization-fame sarcasm film Celebrity).
The dialogue inferences the horror-film avatar Pinhead (a Devil's Advocate signifying moral disarray from Clive Barker's torture-pensive Hellraiser film series).
How can we coordinate 'socialization-sensitization trends' in the modern world (e.g., Facebook) with etiquette politics (e.g., Enron)?
Cheers,
====
BRANDON: I like Clive Barker more than Sir Arthur Conan Doyle.
BALDWIN: Sherlock Holmes spoke to an older detective-aesthetic, while Pinhead is 'modern art.'
BRANDON: I think the Computer Age has created a special 'bravado' allure...
BALDWIN: That's because everyone's concerned with the coordination of IQ.
BRANDON: Isn't that what A.I. (Artificial Intelligence) is all about --- IQ?
BALDWIN: Unfortunately, Scotland Yard still holds intrigue for historians...
BRANDON: Well, characterizations of 'civilization-sophistication stigmata' (e.g., Napster) are eerie!
BALDWIN: Modernism always comes with paranoia.
BRANDON: Maybe social networking (e.g., Facebook) will make things more 'human.'
BALDWIN: That's the theory --- traffic-management during social change requires brain-hospitality.
BRANDON: Isn't that what iPhones are all about --- hospitality convenience?
BALDWIN: Therefore, Pinhead (Hellraiser) symbolizes both paranoia and mischief...
BRANDON: Aren't paranoia and mischief opposite feelings?
BALDWIN: Paranoia represents anticipation failures, while mischief represents civics mistrust.
BRANDON: Pinhead could symbolize vandalism, while Sherlock Holmes symbolizes uniformity.
BALDWIN: Some things change, while others never change!
BRANDON: Maybe our commerce-centric 'TrumpUSA' is in a way a 'negotiation system.'
BALDWIN: People curious about modern globalization-conveniences question if Wales supports the IRA.
BRANDON: Political intrigue comes hand-in-hand with socialization technologies (i.e., Facebook).
BALDWIN: 'Facebook-culture' is why Donald Trump (a casino-magnate/celebrity) is now President.
BRANDON: There has to be a dividing line between Dr. Seuss and the AntiChrist.
====
The dialogue inferences the horror-film avatar Pinhead (a Devil's Advocate signifying moral disarray from Clive Barker's torture-pensive Hellraiser film series).
How can we coordinate 'socialization-sensitization trends' in the modern world (e.g., Facebook) with etiquette politics (e.g., Enron)?
Cheers,
====
BRANDON: I like Clive Barker more than Sir Arthur Conan Doyle.
BALDWIN: Sherlock Holmes spoke to an older detective-aesthetic, while Pinhead is 'modern art.'
BRANDON: I think the Computer Age has created a special 'bravado' allure...
BALDWIN: That's because everyone's concerned with the coordination of IQ.
BRANDON: Isn't that what A.I. (Artificial Intelligence) is all about --- IQ?
BALDWIN: Unfortunately, Scotland Yard still holds intrigue for historians...
BRANDON: Well, characterizations of 'civilization-sophistication stigmata' (e.g., Napster) are eerie!
BALDWIN: Modernism always comes with paranoia.
BRANDON: Maybe social networking (e.g., Facebook) will make things more 'human.'
BALDWIN: That's the theory --- traffic-management during social change requires brain-hospitality.
BRANDON: Isn't that what iPhones are all about --- hospitality convenience?
BALDWIN: Therefore, Pinhead (Hellraiser) symbolizes both paranoia and mischief...
BRANDON: Aren't paranoia and mischief opposite feelings?
BALDWIN: Paranoia represents anticipation failures, while mischief represents civics mistrust.
BRANDON: Pinhead could symbolize vandalism, while Sherlock Holmes symbolizes uniformity.
BALDWIN: Some things change, while others never change!
BRANDON: Maybe our commerce-centric 'TrumpUSA' is in a way a 'negotiation system.'
BALDWIN: People curious about modern globalization-conveniences question if Wales supports the IRA.
BRANDON: Political intrigue comes hand-in-hand with socialization technologies (i.e., Facebook).
BALDWIN: 'Facebook-culture' is why Donald Trump (a casino-magnate/celebrity) is now President.
BRANDON: There has to be a dividing line between Dr. Seuss and the AntiChrist.
====
