Poet's Corner

oh shit--do you play a ukelele, wear a stocking hat and cry about evil men ??????

I'm getting better on the ukelele, wear a camp ball cap or cowboy hat and cry about evil men who don't bring me a filet or good chocolate. It's rough, but makes for mediocre poetry.
 
'Always on the Train'

"Writing poems about writing poems
is like rolling bales of hay in Texas.
Nothing but the horizon to stop you.

But consider the railroad's edge of metal trash;
bird perches, miles of telephone wires.
What is so innocent as grazing cattle?
If you think about it, it turns into words.

Trash is so cheerful; flying up
like grasshoppers in front of the reaper.
The dust devil whirls it aloft; bronze candy wrappers,
squares of clear plastic--windows on a house of air.

Below the weedy edge in last year's mat,
red and silver beer cans.
In bits blown equally everywhere,
the gaiety of flying paper
and the black high flung patterns of flocking birds."

Ruth Stone
 
'Apart'

Do not write. I am sad, and want my light put out.
Summers in your absence are as dark as a room.
I have closed my arms again. They must do without.
To knock at my heart is like knocking at a tomb.
Do not write!

Do not write. Let us learn to die, as best we may.
Did I love you? Ask God. Ask yourself. Do you know?
To hear that you love me, when you are far away,
Is like hearing from heaven and never to go.
Do not write!

Do not write. I fear you. I fear to remember,
For memory holds the voice I have often heard.
To the one who cannot drink, do not show water,
The beloved one's picture in the handwritten word.
Do not write!

Do not write those gentle words that I dare not see,
It seems that your voice is spreading them on my heart,
Across your smile, on fire, they appear to me,
It seems that a kiss is printing them on my heart.
Do not write!"

Louis Simpson and Marceline Desbordes-Valmore
 
'Old Friends'

"Old friends? We must be. You’re delighted to see me. I’m delighted to see you. But who are you? Oh, my God, you’re Jane. I can’t believe it. Jane. “Jane! How are you? It’s been — how long has it been?” I’d like to suggest that the reason I didn’t recognize you right off the bat is that you’ve done something to your hair, but you’ve done nothing to your hair, nothing that would excuse my not recognizing you. What you’ve actually done is’ gotten older. I don’t believe it. You used to be my age, and now you’re much, much, much older than I am. You could be my mother. Unless of course I look as old as you and I don’t know it. Which is not possible. Or is it? I’m looking around the room and I notice that everyone in it looks like someone — and when I try to figure out exactly who that someone is, it turns out to be a former version of herself, a thinner version or a healthier version or a pre-plastic-surgery version or a taller version. If this is true of everyone, it must be true of me. Mustn’t it? But never mind: you are speaking. “Maggie,” you say, “it’s been so long.” “I’m not Maggie,” I say. “Oh, my God,” you say, “It’s you. I didn’t recognize you. You’ve done something to your hair.""

Nora Ephron
 
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looney left
weep for their god
the man who fed them
has fallen
from his throne
 
In the future you need to give your
meaningless assumption
more heft and weighty bombast
add slogans and chest beating
to hoist up your empty words,
hammer in another unwarranted extrapolation
possibly add imaginative obfuscation
reply in all seriousness
with intention and additional bullshit
I know you can do it
try again, you do it so well.
 
'American History'

"Those four black girls blown up
in that Alabama church
remind me of five hundred
middle passage blacks,
in a net, under water
in Charleston harbor
so redcoats wouldn't find them.
Can't find what you can't see
can you?"

Michael S. Harper
 
praise be obama
the moist haired god
of blessed satisfaction
who engulfs all
with his beaming half white smile
 
Day #2: Poem

"On Tuesday at noon the
sun suddenly came out I
swear I said to my
daughter something was happening but
what and the stars don't
care about us who we
elect or when we listen to
the radio and hear it
say President Obama is going
to shut down the prison
the stars don't care they
are forever exploding hydrogen atoms
slowly depleting dying like us
to them if they thought
at all they'd think everything
we do is in prison
the president said we could
write poems again saying "president"
that people would have to
think about not just understand
like he said "science is
coming, people" to which my
son said "did he say
science?" I said "I know
it's hard to believe but
the new president said science""

Matt Rohrer

From poems on the Obama presidency.
 
obama speaks

watch my left hand so you wont see the right
look a rainbow in the sky
a puff of smoke
presto!
night.
 
'Dreams'

"Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.


Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow."

Langston Hughes
 
'A Psalm of Life'

'What the Heart of the Young Man Said to the Psalmist'

"Tell me not, in mournful numbers,
"Life is but an empty dream!"
For the soul is dead that slumbers,
And things are not what they seem.

Life is real! Life is earnest!
And the grave is not its goal;
"Dust thou art, to dust returnest,"
Was not spoken of the soul.

Not enjoyment, and not sorrow,
Is our destined end or way;
But to act to each to-morrow
Finds us farther than to-day.

Art is long, and Time is fleeting,
And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.

In the world's broad field of battle,
In the bivouac of Life,
Be not like dumb, driven cattle!
Be a hero in the strife!

Trust no Future, howe'er pleasant!
Let the dead Past bury its dead!
Act,--act in the living Present!
Heart within, and God o'erhead!

Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints on the sands of time;

Footprints, that perhaps another,
Sailing o'er life's solemn main,
A forlorn and shipwrecked brother,
Seeing, shall take heart again.

Let us, then, be up and doing,
With a heart for any fate;
Still achieving, still pursuing
Learn to labor and to wait."

Henry Wadsworth Longfellow
 
oh barry
holy golden god of us
let my hands never do a days work
pay me for my service
 
'If—'

"If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or, being hated, don't give way to hating,
And yet don't look too good, nor talk too wise;

If you can dream--and not make dreams your master;
If you can think--and not make thoughts your aim;
If you can meet with triumph and disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to broken,
And stoop and build 'em up with wornout tools;

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on";

If you can talk with crowds and keep your virtue,
Or walk with kings--nor lose the common touch;
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run--
Yours is the Earth and everything that's in it,
And--which is more--you'll be a Man, my son!"

Rudyard Kipling
 
I am accused of tending to the past

by Lucille Clifton


I am accused of tending to the past
as if I made it.
as if I sculted it.
with my own hands, I did not.
this past was waiting for me
when I came.
a monstrous unnamed baby.
and I with my mother's itch
took it to breast
and named it
History.
she is more human now
learning language every day,
remembering faces, names and dates,
when she is srong enough to travel
on her own, beware she will.
 
'In The Secular Night'

"In the secular night you wander around
alone in your house. It's two-thirty.
Everyone has deserted you,
or this is your story;
you remember it from being sixteen,
when the others were out somewhere, having a good time,
or so you suspected,
and you had to baby-sit.
You took a large scoop of vanilla ice-cream
and filled up the glass with grapejuice
and ginger ale, and put on Glenn Miller
with his big-band sound,
and lit a cigarette and blew the smoke up the chimney,
and cried for a while because you were not dancing,
and then danced, by yourself, your mouth circled with purple.
Now, forty years later, things have changed,
and it's baby lima beans.
It's necessary to reserve a secret vice.
This is what comes from forgetting to eat
at the stated mealtimes. You simmer them carefully,
drain, add cream and pepper,
and amble up and down the stairs,
scooping them up with your fingers right out of the bowl,
talking to yourself out loud.
You'd be surprised if you got an answer,
but that part will come later.

There is so much silence between the words,
you say. You say, The sensed absence
of God and the sensed presence
amount to much the same thing,
only in reverse.
You say, I have too much white clothing.
You start to hum.
Several hundred years ago
this could have been mysticism
or heresy. It isn't now.
Outside there are sirens.
Someone's been run over.
The century grinds on."

Margaret Atwood
 

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