Abishai100
VIP Member
- Sep 22, 2013
- 4,957
- 250
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There is much iconography in the media in the modern age about the 'sociological perception' of so-called war-games.
This trend can arguably be traced back to the days of Teddy Roosevelt and certainly crystallized during the USSR-Afghanistan struggle backed by the USA.
When politics mixes with religion in the age of intellectual property, serious issues arise with the proliferation of non-OPEC petroleum companies such as BP (British Petroleum).
It feels like serious social issues seep into the arena of 'brand marketing' or 'culture labeling.'
Is it any wonder that Americans celebrate the paramilitary-fantasy action-adventure franchise "G.I. Joe: A Real American Hero" (Hasbro, Inc.) which features among its avatars a female super-soldier named the Baroness who works for a relentless terrorist organization called Cobra?
The media marketing of gender-incendiary avatars such as the Baroness (Hasbro, Inc.) affirms the otherwise controversial claim that art really reflects politics in the modern age.
The Middle East has not done well in the international arena of negotiations when it comes to 'art' or 'philosophy' advertisements, since most Islamic fundamentalist banner-signs look like pure propaganda.
However, now that America has elected its first ethnic minority First Lady (Michelle Obama), the global community cares much more about how the art marketing of the Baroness (Hasbro, Inc.) should not be incongruous to the politics colloquialization talk surrounding Islamic fundamentalism related gender issues in our era of capitalism-catalyzed values.
This trend can arguably be traced back to the days of Teddy Roosevelt and certainly crystallized during the USSR-Afghanistan struggle backed by the USA.
When politics mixes with religion in the age of intellectual property, serious issues arise with the proliferation of non-OPEC petroleum companies such as BP (British Petroleum).
It feels like serious social issues seep into the arena of 'brand marketing' or 'culture labeling.'
Is it any wonder that Americans celebrate the paramilitary-fantasy action-adventure franchise "G.I. Joe: A Real American Hero" (Hasbro, Inc.) which features among its avatars a female super-soldier named the Baroness who works for a relentless terrorist organization called Cobra?
The media marketing of gender-incendiary avatars such as the Baroness (Hasbro, Inc.) affirms the otherwise controversial claim that art really reflects politics in the modern age.
The Middle East has not done well in the international arena of negotiations when it comes to 'art' or 'philosophy' advertisements, since most Islamic fundamentalist banner-signs look like pure propaganda.
However, now that America has elected its first ethnic minority First Lady (Michelle Obama), the global community cares much more about how the art marketing of the Baroness (Hasbro, Inc.) should not be incongruous to the politics colloquialization talk surrounding Islamic fundamentalism related gender issues in our era of capitalism-catalyzed values.
