freedombecki
Let's go swimmin'!
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- #881
The leftover Roman Stripe squares had roughly half in all-blue, to do the smaller quilt above with sashing, but the other striped squares had a strong propensity to have warm color motifs contrasting with their turquoises and aqua backgrounds. There was a hodgepodge of colors, but I just arbitrarily picked a fabric from the huge stash of cottons received a few weeks back that were filled with quality cottons from back whenever, and were either from an estate or someone who developed carpal tunnel or arthritis (she didn't say). The fabrics were well-taken care of, each piece was measured and an approximate width and length to give the next person an idea of what was in the piece, with some of them having curved cuts, straight cuts, square cuts, etc. at any given border. All the fabrics except for a few choice character prints were tiny and packed (close together) which interpreted, means they could have been used on anything from a miniature quilts that benefit from close small motifs to strip-pieced log cabin quilts that also bear tiny prints well.
Anyway, the rust was a polished 100% cotton that had some body, which is not easy to find. One run of polished cottons in the 90s were so thin and flimsy I actually hated them. This one was as polished as some of the polycottons that I also hated that came out a few years before the annoying thin polishes. So I'm just amazed at the collection's owner who was picky and collected a stash of peerless cottons that I am enjoying using from time to time with my stash, also fine cottons, but of another era in which fineness was desirable due to the high costs of transport since the 1990s and continuing higher with exponential gas prices.
The rust polished cotton is fun to work with, and glossy only on the top. I've already sewn two pieces on backward due to sharp sewing machine light obfuscating sheen of the right side from the dull side of the same color. Also, it's easy to put a fabric onto another when you're doing rows of alternate blocks. Unfortunately, my stash is run of the mill using dispersive prints, prints that are 2-way, and prints that are 1-way. Some dispersive prints aren't very dispersive on a small scale strip, so you have to pay attention to which way they're sewn and placed, too. A little caution can make or break a quilt in aesthetic pleasure of noticing that when the top is at the top, everything is rightside up. I did not take it as a sign of early dementia the first time my husband turned one of my quilts upside down. After I told him, it was like it didn't matter. I couldn't understand it. Now I understand. Some battles are unwinnable, but you just try to develop the best sense of humor you can about it and let it go at that. Around the same time, he started driving like Mr. Magoo. He wouldn't turn around for a mile after you told him to turn around he missed his turn. He would only turn around when you raised your voice in panic. Then he would turn around, but not right away in particular, but soon. He likes to drive, but he prefers driving along the beaten path, so I drive to a new place 2 or 3 times until he gets his bearings. Then the first 3 or 4 times, it's "Is this where I turn?" "Yes." or "Not yet, it's the third right, not the first."
Here's the first row (the quilt will be 6x9 squares wide and long, and the inner width with sashing is 38" with 6 Roman Stripes across.
Anyway, the rust was a polished 100% cotton that had some body, which is not easy to find. One run of polished cottons in the 90s were so thin and flimsy I actually hated them. This one was as polished as some of the polycottons that I also hated that came out a few years before the annoying thin polishes. So I'm just amazed at the collection's owner who was picky and collected a stash of peerless cottons that I am enjoying using from time to time with my stash, also fine cottons, but of another era in which fineness was desirable due to the high costs of transport since the 1990s and continuing higher with exponential gas prices.
The rust polished cotton is fun to work with, and glossy only on the top. I've already sewn two pieces on backward due to sharp sewing machine light obfuscating sheen of the right side from the dull side of the same color. Also, it's easy to put a fabric onto another when you're doing rows of alternate blocks. Unfortunately, my stash is run of the mill using dispersive prints, prints that are 2-way, and prints that are 1-way. Some dispersive prints aren't very dispersive on a small scale strip, so you have to pay attention to which way they're sewn and placed, too. A little caution can make or break a quilt in aesthetic pleasure of noticing that when the top is at the top, everything is rightside up. I did not take it as a sign of early dementia the first time my husband turned one of my quilts upside down. After I told him, it was like it didn't matter. I couldn't understand it. Now I understand. Some battles are unwinnable, but you just try to develop the best sense of humor you can about it and let it go at that. Around the same time, he started driving like Mr. Magoo. He wouldn't turn around for a mile after you told him to turn around he missed his turn. He would only turn around when you raised your voice in panic. Then he would turn around, but not right away in particular, but soon. He likes to drive, but he prefers driving along the beaten path, so I drive to a new place 2 or 3 times until he gets his bearings. Then the first 3 or 4 times, it's "Is this where I turn?" "Yes." or "Not yet, it's the third right, not the first."
Here's the first row (the quilt will be 6x9 squares wide and long, and the inner width with sashing is 38" with 6 Roman Stripes across.
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