All you're doing here is repeating the MSM's presentation of it (and that of the facist anifada and other counterprotestors). you're trying to make it be about the policies you dislike. But once again, the SOLDIERS dIdn't make the policies. The protesters were protesting about the statue of SOLDIER. That remains the issue.---- and you know damn well it's not about "statues" since nobody in Charlottesville said boo about Robert E. Lee -- it was all "alt-right" and "we hate Jews" and Nazi this and Klan that and Vanguard the other thing and "you will not replace us" and beating a random black man with poles --- in other words the same bullshit that was going on a hundred years ago with the lynchings and the race riots and people being whipped for being Jewish or Catholic. They're trying to revive a time when that shit was powerful enough TO erect statues and monuments. It's all a grand hate-wank.
It's not Robert E. Lee or Stonewall Jackson that is the operative symbol here. The symbol is the epoch they're trying to resurrect. The era when the Klan was resurrected and signed up millions. The era when black people were expected to lower their eyes and sit in the back and use separate water fountains. THAT is what it's about.
Liberals have a habit of ranting forever after they've changed the subject to what they want to talk about and how they want it to be viewed. ha ha ...amusing
Know who that statue they took down in Durham North Carolna the other day was of?
Nobody.
It was a generic Confederate soldier. Not for a person but for a concept. And that concept was the Lost Cause revisionism which was going on at that time, which is what I've been describing here. It's recorded history. All these various monuments and statues were put up roughly 1895-1925 when racism, and lynchings, and Civil War revisionism (Dixon's "The Clansman", 1905) and "Birth of a Nation" film (1915), and the revived Klan, were dominant.
Those activists who dragged that statue down specifically called it a "symbol of white supremacy". That was the point. Not who the statue represents, which is, again, nobody.
Know when that statue went up? 1924. The same year the Klan was most active, marching, and getting local and state officials elected. Those activists also threw a hood over another similar local statue called "Silent Sam". That one went up in 1913 and was erected by the Daughters of the Confederacy --- the same revisionist Lost Cause group that put the plaque up for the birthplace of the Klan.
They were doing a lot of that at the time. Because it was the Lost Cause era.
That's the theme here. It's got nothing to do with statues directly, or "who owned slaves". It's got to do with the mentality that put those monuments there, and why they did so. It's about the action, not the artifact.
Matter of fact this sordid period of our history is the same period I write about frequently on this site, such as the Tulsa Race Riots (1921); the East St. Louis Riots and the Civil Rights Silent March (1917), and the peak activity of Lynching in America as well as the Klan itself. It's all related. These monuments are being targeted as a symbol of that period and mentality whence they sprang.
It's a period sorely neglected and intentionally forgotten in our history books..... which introduces the supreme irony that, in contrast to the whinings of the Lost Cause people that tries to suggest removing a statue is somehow "removing history" --- it's the statue-removers who by their actions are actually calling attention to a history that had been whitewashed. So arguably what they're doing, to the extent their reasoning is understood, is literally the opposite of removing history.
The Lost Cause monuments were basically put there to symbolically mask the real history; taking them down serves to symbolically remove that mask.
>> The 1890s, when the UDC was founded and monument building began in earnest, was a decade of virulent racism across the South. Not content to disenfranchise black men, Southern whites went on a lynching spree. Ida B. Wells, the African American journalist and anti-lynching crusader, documented 186 lynchings of black people in 1893 alone — mostly men but women and children, too. As she wrote in her account “The Red Record,” these “scenes of unusual brutality failed to have any visible effect upon the humane sentiments of the people of our land.” *
Violence against blacks only increased in the early decades of the 20th century. In addition to continued lynching across the South, the Atlanta race riot of 1906 demonstrated how seriously white men took their supremacy over African Americans: An estimated 10,000 white men and boys in the city went after black men, beating dozens to death and injuring hundreds more.
Amid that brutality, the pace of Confederate monument construction quickened. The UDC and other like-minded heritage organizations were intent on honoring the Confederate generation and establishing a revisionist history of what they called the War Between the States. According to this Lost Cause mythology, the South went to war to defend states’ rights, slavery was essentially a benevolent institution that imparted Christianity to African “savages,” and, while the Confederates were defeated, theirs was a just cause and those who fought were heroes. The Daughters regarded the Ku Klux Klan, which had been founded to resist Reconstruction, as a heroic organization, necessary to return order to the South. Order, of course, meant the use of violence to subdue newly freed blacks.
During the era of Jim Crow, Confederate monuments could be placed most anywhere. Some were in cemeteries or parks, but far more were erected on the grounds of local and state courthouses. These monuments, then, not only represented reverence for soldiers who fought in a war to defend slavery, they also made a very pointed statement about the rule of white supremacy: All who enter the courthouse are subject to the laws of white men. << -- Karen Cox, Professor of History, UNC Charlotte, author of “Goat Castle: A True Story of Murder, Race, and the Gothic South”
* - see the aforementioned thread "Lynching in America"Violence against blacks only increased in the early decades of the 20th century. In addition to continued lynching across the South, the Atlanta race riot of 1906 demonstrated how seriously white men took their supremacy over African Americans: An estimated 10,000 white men and boys in the city went after black men, beating dozens to death and injuring hundreds more.
Amid that brutality, the pace of Confederate monument construction quickened. The UDC and other like-minded heritage organizations were intent on honoring the Confederate generation and establishing a revisionist history of what they called the War Between the States. According to this Lost Cause mythology, the South went to war to defend states’ rights, slavery was essentially a benevolent institution that imparted Christianity to African “savages,” and, while the Confederates were defeated, theirs was a just cause and those who fought were heroes. The Daughters regarded the Ku Klux Klan, which had been founded to resist Reconstruction, as a heroic organization, necessary to return order to the South. Order, of course, meant the use of violence to subdue newly freed blacks.
During the era of Jim Crow, Confederate monuments could be placed most anywhere. Some were in cemeteries or parks, but far more were erected on the grounds of local and state courthouses. These monuments, then, not only represented reverence for soldiers who fought in a war to defend slavery, they also made a very pointed statement about the rule of white supremacy: All who enter the courthouse are subject to the laws of white men. << -- Karen Cox, Professor of History, UNC Charlotte, author of “Goat Castle: A True Story of Murder, Race, and the Gothic South”