I never saw the passion of the christ, nor plan to. I couldn't bear to see what He went thru any more than I can look at abused animals. Just can't.
You need to watch it at least once.....but bring lots of Kleenex.
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I never saw the passion of the christ, nor plan to. I couldn't bear to see what He went thru any more than I can look at abused animals. Just can't.
I think that Kubrick deliberately used a slow pace to emphasize the advancements mankind made from his discovery of weapons to space flight. Kubrick LOVED tracking shots. You can see this in Paths of Glory and Spartacus. But he used them with a master's hand in 2001.The fact it could be 60 minutes shorter and improve the pacing. It suffers the same flaw as ST:TMP in that it is a very slow, boring special effects freakout in now dated special effects. The acting is average. The cinematography is... well Kubrick, which isn't that great. Other than that, it's less exciting than the book, which is actually worse in many ways save the philosophical intricacies it introduced to Science Fiction. An hour to get to the plot, and then another hour in which you wished it was over leaving you with the sense you just dropped bad acid with that ending.
Remember that when it debuted, 2001 had no computer generated effects. That mankind had not even seen the whole of the earth at once from space. The movie was groundbreaking in this regard.
The ending was intended to be interpreted by the viewer as a metamorphosis from one state of conciseness to another. Something each viewer has to resolve on his own.
And the subtle message not to mess too far with the capabilities of artificial intelligence was there with "Hal" calling all the shots. What was the other movie in the 60's(??) with two supercomputers absorbing all of the other's memory, and eventually merging and able to control humans?
At least you can learn different ways of using fuck in a sentence.Next time I'm in the mood for two hours of gratuitous violence, I'll rent a Tarrantino film.
At least he knows how to do it right.
I'm not exactly sure what someone expects when they pay a ticket to watch a movie called "The Passion of the Christ". Why would the Passion be a biography? Again it comes down to laziness and a lack of understanding of the English language...and perhaps ignorance of history as well.
At least you can learn different ways of using fuck in a sentence.
I'm not exactly sure what someone expects when they pay a ticket to watch a movie called "The Passion of the Christ". Why would the Passion be a biography? Again it comes down to laziness and a lack of understanding of the English language...and perhaps ignorance of history as well.
Yeah, I guess a few minutes of biographical info would have gotten in the way of the gratuitous, slow motion blood spurts and beatings.
God forbid someone learn a little something along the way.
The Mel Gibson two-hour torture fest aka "The Passion of the Christ" is high on my list of worst movies ever.
I call it the Jesus Chainsaw Massacre. What a crapfest! Here's a hint to Mr. Gibson: slow motion is best used sparingly or only if you happen to be Sam Peckinpah.
If Gibson had spent a bit more time on the background of the life of Jesus and how he got to where he was and less time on the slow-mo blood spurts, it may have been and OK film.
I didn't know anymore about the life of JC after I saw it than I did before.
I never saw the passion of the christ, nor plan to. I couldn't bear to see what He went thru any more than I can look at abused animals. Just can't.
You need to watch it at least once.....but bring lots of Kleenex.
I never saw the passion of the christ, nor plan to. I couldn't bear to see what He went thru any more than I can look at abused animals. Just can't.
You need to watch it at least once.....but bring lots of Kleenex.
I enjoyed it...but I didn't quite get that excited!!!
You need to watch it at least once.....but bring lots of Kleenex.
I enjoyed it...but I didn't quite get that excited!!!
Sorry, I couldn't help it.
I saw it in the movie theater and it was almost unbearable.
If a big guy like me broke down imagine what a woman would do.
Just confirming a suspicion.Okay, cool. I actually like all three movies (the 2 you mentioned and Apocalypse Now).Great film.
I loved the whole "Heart of Darkness" trope. I saw "Redux" too. They could have lost the whole "French" thing. Glad it didn't make it to the final cut.
I suspect you are also a fan of "Born on the Fourth of July", "The Deerhunter" and possibly "First Blood" as well.
Guilty.
And?
'Michael' with John Travolta was excruciating to my eyes.
'Michael' with John Travolta was excruciating to my eyes.
As an actor John Travolta sure can dance.![]()
I can't recall one with two super computers. But there were other insane computer/robot/technology flicks. Like 1975 Westworld with Yul Brynner. The Stepford Wives (I should get that one for my collection). And later in the 1980s War Games with Dabney Coleman and Matthew Broderick.I think that Kubrick deliberately used a slow pace to emphasize the advancements mankind made from his discovery of weapons to space flight. Kubrick LOVED tracking shots. You can see this in Paths of Glory and Spartacus. But he used them with a master's hand in 2001.The fact it could be 60 minutes shorter and improve the pacing. It suffers the same flaw as ST:TMP in that it is a very slow, boring special effects freakout in now dated special effects. The acting is average. The cinematography is... well Kubrick, which isn't that great. Other than that, it's less exciting than the book, which is actually worse in many ways save the philosophical intricacies it introduced to Science Fiction. An hour to get to the plot, and then another hour in which you wished it was over leaving you with the sense you just dropped bad acid with that ending.
Remember that when it debuted, 2001 had no computer generated effects. That mankind had not even seen the whole of the earth at once from space. The movie was groundbreaking in this regard.
The ending was intended to be interpreted by the viewer as a metamorphosis from one state of conciseness to another. Something each viewer has to resolve on his own.
And the subtle message not to mess too far with the capabilities of artificial intelligence was there with "Hal" calling all the shots. What was the other movie in the 60's(??) with two supercomputers absorbing all of the other's memory, and eventually merging and able to control humans?
I can't recall one with two super computers. But there were other insane computer/robot/technology flicks. Like 1975 Westworld with Yul Brynner. The Stepford Wives (I should get that one for my collection). And later in the 1980s War Games with Dabney Coleman and Matthew Broderick.I think that Kubrick deliberately used a slow pace to emphasize the advancements mankind made from his discovery of weapons to space flight. Kubrick LOVED tracking shots. You can see this in Paths of Glory and Spartacus. But he used them with a master's hand in 2001.
Remember that when it debuted, 2001 had no computer generated effects. That mankind had not even seen the whole of the earth at once from space. The movie was groundbreaking in this regard.
The ending was intended to be interpreted by the viewer as a metamorphosis from one state of conciseness to another. Something each viewer has to resolve on his own.
And the subtle message not to mess too far with the capabilities of artificial intelligence was there with "Hal" calling all the shots. What was the other movie in the 60's(??) with two supercomputers absorbing all of the other's memory, and eventually merging and able to control humans?
All pretty bad movies considering the competition at the time.
I can't recall one with two super computers. But there were other insane computer/robot/technology flicks. Like 1975 Westworld with Yul Brynner. The Stepford Wives (I should get that one for my collection). And later in the 1980s War Games with Dabney Coleman and Matthew Broderick.And the subtle message not to mess too far with the capabilities of artificial intelligence was there with "Hal" calling all the shots. What was the other movie in the 60's(??) with two supercomputers absorbing all of the other's memory, and eventually merging and able to control humans?
All pretty bad movies considering the competition at the time.
The book "The Stepford Wives" was terrific, but they just couldn't get the intrigue right in the movie, either the first one or the remake. Same with Amityville Horror. Read the books which are much scarier.